Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Ven 26 Fév - 9:25
Meester picks 'Oranges' 'Gossip Girl' star joins Hugh Laurie in indie dramatic comedy By DAVE MCNARY
Leighton Meester of "Gossip Girl" will star in indie dramatic comedy "The Oranges" opposite Hugh Laurie.
Production companies are Media Rights Capital, FilmNation and Olympus Pictures. Anthony Bregman, FilmNation's Glen Basner and Leslie Urdang of Olympus are producing.
Script by Jay Reiss and Ian Helfer centers on a man's romantic relationship with the daughter of a family friend, which turns their lives upside down. Julian Farino will direct, with shooting expected to begin in April in New York City. Catherine Keener's also been cast.
Meester will be seen next in Warner's "Date Night" and upcoming Screen Gems thriller "The Roommate." She's repped by WME and Leverage Entertainment.
Source: Variety
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Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Mar 9 Mar - 17:31
The 100 British celebrities who really matter by Piers Morgan
42 - HUGH LAURIE
I saw my first episode of House on a recent holiday in Thailand. As it was the only DVD box set the hotel had, I finally succumbed to a show I assumed I'd hate - what's to like about a bumbling old mate of Stephen Fry's doing a fake American accent?How wrong was I? He's brilliant as House, the sharpest, darkest, most compelling dramatic character I've seen in years.
And America agrees: the sensational ratings have made him the No 1 highest-paid scripted-drama star in the States, raking in £250,000 an episode. And even better, he recently admitted he hates Twitter. It's one of life's tragedies that after my feud with his best friend, I'll now never get to know Laurie better.
I'd love nothing more than to hang out with him in LA, as long as he spoke in that accent and didn't bring his pal Stephen. We met a couple of years ago backstage at a US chat show, and he couldn't have been more charming or perplexed about how well he's done.
Laurie's the most successful TV drama export this country's ever produced, and is still at the top of his game. It doesn't, in small-screen-acting terms, get bigger than that.
Age 50 Born Oxford Education Eton College (private); Cambridge University Homes London; LA
Source: Daily Mail
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Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Dim 21 Mar - 9:10
Hier soir, quelle ne fut pas ma surprise quand, en regardant cette grande émission culturelle qu'est "Les 100 plus grandes perles du direct" de C.Dechavanne, j'ai vu apparaitre Hugh en n°2 du classement
Nous avons eu droit à son discours de remerciement au 63ème (année ?) Golden Globes ! C'était bien drôle comme d'habitude, mais je sais toujours pas pourquoi c'est une perle
En version Youtube:
En substance, il raconte qu'il aurait 157 personnes à remercier alors il a mis tous les noms des gens sur des petits bouts de papiers dans sa poche et il en tire 3 au sort, dont sa coiffeuse LOL
Tiff Admin
Messages : 1507 Date d'inscription : 05/04/2009 Age : 38 Localisation : Devant mon clavier
Sujet: Re: Hugh à la TV et dans la presse Dim 21 Mar - 9:20
HOwiiii c'étair priceless ce moment ! merciii
fanHD Porte de la clinique
Messages : 20 Date d'inscription : 15/03/2010 Age : 49 Localisation : paris
Sujet: Re: Hugh à la TV et dans la presse Dim 21 Mar - 19:14
il est tres drole ! qq'un peut il me traduire sa derniere phrase ? juste avant l'eclat de rire et juste apres avoir donné le nom de son agent ?? ca avait l'air tordant !
Delph Plateau de tournage
Messages : 444 Date d'inscription : 05/04/2009
Sujet: Re: Hugh à la TV et dans la presse Dim 21 Mar - 19:32
je crois qu'il dit "Ce n'est pas mon écriture. Il est bon."
Danacarine Admin
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Sujet: Re: Hugh à la TV et dans la presse Jeu 25 Mar - 15:17
Un peu de généalogie Hughienne
Source: Daily Mail et Hughbunnies
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Sujet: Re: Hugh à la TV et dans la presse Lun 29 Mar - 8:14
Hugh sera l'invité de Jay Leno le 9 avril
Danacarine Admin
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Sujet: Re: Hugh à la TV et dans la presse Jeu 1 Avr - 15:19
Une interview où je comprends rien...
Hugh Laurie By Anna Carugati Published: March 31, 2010
For TV viewers around the world, the word “house” no longer refers to the English term for a place to live. It immediately triggers images of the often rude, gruff and inappropriate but brilliant physician in House, who solves the most difficult medical mysteries, despite his unconventional approach and horrid bedside manner. Dr. Gregory House is brought to life by the British actor Hugh Laurie, whose early career in the U.K. saw him partner with former Cambridge classmate Stephen Fry in comedies such as A Bit of Fry & Laurie and Blackadder. House, now in its sixth season, has been sold to some 250 territories by NBC Universal International Television Distribution, and is one of the top-selling U.S. series in the world. In this exclusive interview, Laurie talks to World Screen about his love for the craft of acting and the making of House.
WS: What appealed to you about the character of Gregory House? LAURIE: I thought he was a fascinating and at the time, as far as I could tell, a unique combination of wit and dissidence and unease and a whole list of qualities that I hadn’t seen combined in a single character, particularly not at the center of a drama. One could argue that there have been characters a little bit like House here and there, but they were usually peripheral characters. The hero was always a solid upright citizen, usually with blond hair and a dog, and they would do the right thing.
WS: A good guy. LAURIE: A good guy, and you could tell who the good guys were. And this is a rather troubled and conflicted, damaged character who presented this problem for the audience, I suppose, which is that here is a man that has a gift with which he can heal. He can help mankind and yet the gift comes at a cost—it comes at a cost to him and it comes at a cost to any of the people around him. He’s always asking the question, “Am I worth the cost?” and it’s a constantly interesting question, and I grew to like him immediately. I felt within a couple of pages I really liked this guy. It doesn’t mean I think he’s a good guy or a nice guy, but I like him.
WS: I lived in Italy for 20 years and in Europe there is a little less sentimentality in the arts than there is in the U.S. Americans in general like happy endings, you know what I mean? LAURIE: Oh absolutely, I do, yes.
WS: I wouldn’t say there is anything sentimental about House. LAURIE: Not much.
WS: Why do you think it plays so well to a U.S. audience? LAURIE: I wonder if the difference you are describing has actually changed in the last decade or so. I feel, though I can’t speak for the whole of Europe, as if the British maybe have become more sentimental than they were, and possibly the Americans have become less sentimental. I feel as if we are meeting in some strange middle ground somewhere. I think American audiences seem much more open now to different kinds of stories told with different kinds of flavors and tones and with different sorts of outcomes. Of course, there is always a sort of a Disney America, “When You Wish Upon a Star,” which is a nonsensical premise that your dreams come true. They don’t just because you wish upon a star.
I think Americans are much more open than they used to be to different kinds of ideas and stories. Actually, I think the British have become much more demonstrative, much more sentimental than they used to be. This sort of stiff upper lip is a much less prominent characteristic.
WS: The reaction to the death of Princess Diana was one illustration of that. LAURIE: I didn’t want to bring that up, but that was an amazing display that I think would have been unthinkable 30 years before. If you had described that to British people 30 years before they would have said that could have never happened. But there we go, it was obviously always deep within us, we were just sort of rather suppressed.
WS: What stretch as an actor does the role of Gregory House present to you? LAURIE: Most of the stretching I find is of a mechanical kind—it’s the volume of work you’re having to do and the number of decisions you are having to make in a day to actually keep something real and true and funny—to keep it alive. This is not something a stage actor does, you can’t just go and do this thing for two hours and be done. This is something you are having to think about and very actively think about, for 14, 15 hours a day for nine, ten months of the year. And it’s those mechanical things, the volume of it—dealing with the actors and dealing with the physical disability and all those sorts of things are actually harder than the emotional side, which I always felt, I can’t say that I found it easy, but I felt that I understood it. I knew what it should be, even if there were times—plenty of times—when I felt I hadn’t been able to do it right, I knew what it should be. From the moment I first read the script I had a very clear sound in my head of how it should feel.
WS: And he came to life to you right away. LAURIE: Yeah, he did, actually. I had only read a couple of scenes to begin with. They sent me the first script and I only read a couple of scenes, but I felt straight away, I know who this guy is and I know how this should sound. Well, I know who the character is, but I also know who David Shore [the creator and one of the executive producers of House] is. I felt like I know what he is trying for here.
WS: As a viewer, the most refreshing thing about the show is that it makes you think, and there is so little on TV now that makes you think! LAURIE: That’s right, that’s right! Well, I’m glad that you think that because I agree, I’m very proud of it. I’m very proud of it for lots of reasons, and while we don’t always succeed, I still think we have the energy and the will, and David certainly has the skill to continue to put difficult questions that make people wonder what is the right thing to do and what is the right way to behave.
WS: Who is the moral compass? Does David decide what the right thing to do is in a given episode? LAURIE: It has to be that way. Of course it is a very collaborative medium, and he has a team of nine or ten writers who are all working on different stories. The only way it can work is that it has to be sort of one person’s voice. He and I, we discuss things at great length sometimes, and I will tell him what I think about a particular script or suggest what about this or what about that, but it has to be his decision—it is his creation. The character is his character. The character, to be honest, is him—David is much closer to House than I am, I think.
WS: Looking at how a show is produced in the U.S., which is significantly different than the way shows are produced in Britain, from the writing process, the budgets and the amounts spent on the pilot process, what do you like about the U.S. system? Not to badmouth the Brits in any way! LAURIE: Lord no, I plan to live there!
WS: And Britain has produced spectacular shows. LAURIE: I suppose one of the things I like about the American system is that at the end of it all, whatever one may think about an average day, there is some great television drama being made. This is a good time for television drama, for all the difficulties and for all the uncertainties and economic problems, it is nonetheless a great time, which I think is largely to do with writers. It is completely a writers’ medium. Certainly in feature films, or in British television, the writer does not have the position that an American writer has on an American drama. They are not producers, for one thing. David is the executive producer, and he and Katie [Jacobs, one of the executive producers] run the show. That doesn’t happen in Britain and it doesn’t happen in feature films here. I like that; that has a lot to do with it.
The pilot system, I don’t know, it is a little odd and there is wastage, I suppose. But in a way I’m sort of reassured by the fact that people cannot predict an audience. I think we would have reached a depressing stage of human development if one clever person sitting in an office somewhere could actually predict, “If you put this actor with this writer and you tell this kind of story with these elements, the audience will love it.” If that day comes, I think that will say something rather depressing. So the very fact that audiences are unpredictable, fickle and fasten on to things that no one could have imagined that they would fasten on to, or they ignore things that everyone thought they would love, that involves waste. So people will make pilots [and say], “I could have sworn that would be a huge success, and who knows why it didn’t work.”
But in a funny sort of way I like that. I know I am not paying the bill, but I like the fact that we can’t know that mind of the audience, nor should we. It is a wonderful thing that we try to please, we try to guess at, but ultimately you can’t.
WS: It’s alchemy to a large extent, isn’t it? LAURIE: It’s alchemy, exactly. And the only meaningful strategy you can have is to please yourself and do something that you like, and David has written a show that he likes and he would want to watch. And all of us who work on House, I think, are trying to do something that we would like, and hope, just hope that other people would like it, too. As soon as you get into the process of trying to guess, you are sunk—it’s all over.
WS: Now, where do you find time to write your novels? And when will the second one come out? LAURIE: Well, the second one, as you can imagine, is rather delayed! Delayed by some years now, I’m afraid. But because of the success of House, the one book I did write, The Gun Seller, has now been translated into some 20-odd languages, so [the publishers] must be pleased about that, and that will keep them at bay for a while!
WS: Do you think about a life after House? Do you think about teaming up with Stephen Fry again? LAURIE: I don’t really think about a life much after lunch. [Laughs] That’s about as far as I work! A couple of hours is my thing! I’m like a goldfish; I don’t have many plans.
I would love to work with Stephen again. He is in L.A. at the moment writing. We see each other and we talk about it. He’s also not very good at planning. Neither of us are good planners; we have no master scheme.
WS: So two goldfish. LAURIE: Two goldfish, exactly! [Laughs] And every now and then we meet, and say, wait a minute, you’re also a goldfish.
WS: Will we see you play the piano again on House? LAURIE: Oh, I hope so.
WS: You enjoy that, don’t you? LAURIE: I do, I do. I don’t practice enough, I don’t have time to do that, either, but yeah, I do love it. I also think it’s an interesting element in the psychological makeup of this character, that for someone so apparently fiercely rational there is a romantic side to him. There is music in him and not just music of the mathematical, mechanical Bach kind. He has a romantic side and there is something beside that cold calculating machine inside his head, which I do like as an element.
Source: WorldScreen.com
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Messages : 20 Date d'inscription : 15/03/2010 Age : 49 Localisation : paris
Sujet: Re: Hugh à la TV et dans la presse Jeu 1 Avr - 20:40
desolee mais je ne sais pas ou poster ca ! BONNE FETE HUGH
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Sujet: Re: Hugh à la TV et dans la presse Ven 9 Avr - 8:05
Article sur et DE Hugh Hugh Laurie Goes Behind the Camera by Hugh Laurie April 08, 2010 10:19 AM EST
Physician, direct thyself. That was the offer/challenge/piece of lead pipe they swung at my head, and I knew straightaway I was in trouble.
For six seasons of House, I’ve sat in the passenger seat and complained while long-suffering adults took the wheel. I’ve fiddled with the radio, spilled soda on the gear lever, misread the map, whined about feeling sick, been sick, screamed useless warnings whenever a distant dog looks like he’s thinking of approaching the curb—in short, I have been a complete pain in the neck. As a way of shutting me up, they tossed me the keys and said, “OK, then, you drive.”
What was I to do? If I said no, I’d lose my hard-won complaining rights. If I said yes, who would I complain to?
The script of “Lockdown”—Episode 17 of this season’s House—was written by David Shore, Garrett Lerner, Russel Friend, Eli Attie and Peter Blake. If you’re wondering why there were five writers involved, you will wonder less when you see it. I’m not going to tell you what happens, except to say that there is a Precipitating Event at the beginning that justifies the episode’s title. (Rest assured, it’s not a bomb or a stuck elevator, both proscribed by the House Manual of Plotting.) The event effectively traps four pairs of characters in four separate places, and House himself features in only one of them—which meant that, for six out of the eight shooting days, I could just wear my directing hat. And yes, I actually did have a hat. I also wore my own clothes and carried my own phone, keys, wallet and wristwatch, which was a welcome respite. Actors in costume spend so much of their time unable to communicate, unlock a door, buy a sandwich or know what time they should be doing any of these things that they end up feeling like infant convicts. If that’s a category.
Besides the hat, there was also the question of which accent to wear. I would be directing not as Gregory House but as Hugh Laurie, proud subject of Her Majesty Queen Elizabeth II—and yet I had spent the preceding six years as an ersatz American. How would my coworkers respond? Would the sound of a British accent rouse some ancient colonial resentment and start them emptying my PG Tips tea bags into the lavatory? It was a chance I’d have to take. When I converse as an American, I am often constrained by the accent to say only what I can say—if I don’t feel sure how to sound the phrase “cream and sugar,” I will just say “black”—and this obviously wouldn’t do for a director. A decision is a decision. Or choice, whichever is easier to say.
Then there was the issue of preparation. In the normal course of events, an incoming director is hired two weeks before shooting begins. The good ones fill this time with careful meditations on design, casting, special effects, narrative arcs and the rest; the less good ones watch Internet porn and steal stationery. Since I was neck-deep acting in Episode 16 right up until my first directing day, neither of these options was available to me, which meant I was hideously, savagely unprepared for the ordeal to come. I also didn’t have enough envelopes.
And all the while, there was the nagging question of how I was going to direct myself. Would I be able to give guidance, instruction, encouragement to myself and then reject those things with my usual sullen bad temper? How would I talk myself out of my own trailer? Could I throw a tantrum with one hand and catch it with the other?
To help me in this task, I asked for, and got, the rare luxury of video playback: a tiny prism in the camera that siphons off just enough light to generate a rough video image of whatever the film lens is capturing, which can be instantly reviewed. It’s a time-consuming device, but it allows an actor/director to see and adjust his own performance, assuming he has the necessary mental equipment to look at himself and make an accurate assessment. I don’t think I used it once.
What saved me—and you will judge for yourselves whether it was really a save, or just compassionate euthanasia—was the skill of the House producers, writers, technicians, designers and, most of all, my fellow actors. For a time I worried that joining the ranks of Management might create some odd tensions among the cast, perhaps put a strain on the comradeship we had built up over the years; in fact, it went completely the other way. I finished my stint as director with an even greater appreciation and affection for the cast of House than I had when I started—which is saying an awful lot.
These actors did things, created moments, found nuggets of tragedy and comedy that I couldn’t possibly have foreseen; they brought energy and good humor and put up with my grating British accent. This is the best cast on television, make no mistake. I’ve watched other casts receive trophies and acclaim but have never doubted that Lisa, Robert, Omar, Jesse, Jennifer, Olivia and Peter could take them all with one hand tied behind their back. (Not that acting with one hand behind your back is especially difficult. Come to think of it, it’s often easier.) The fact they don’t make it look difficult doesn’t mean it isn’t. Ars est celare artem, as some Roman geezer once put it—the art is to conceal the art.
Lastly, I must make special mention of the actor playing the character of Nash, a terminally ill patient who spends his final hours in House’s reluctant company. Many names were bandied about for this role, but when our executive producer, Katie Jacobs, uttered the name David Strathairn, a peaceful certainty descended on the production team. I have watched some of David’s scenes a hundred times in the editing room, and been moved every single time by his astounding skill and honesty. (He is also, by the way, a gentleman.)
So there you have it. I invite you to try your luck with the work of an inexperienced, underprepared foreigner who complained his way into the driver’s seat. Was he saved by his passengers, or did they all hurtle over a cliff in a grisly fireball of destruction?
Fasten your safety belts and tune in to Fox, Monday, April 12, at 8.
Source: TVGuide.com (et Hughbunnies)
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Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Sam 10 Avr - 8:02
Hugh Laurie: 'Embarrassment Is a Big Factor in My Life' by Jeanne Wolf
Hugh Laurie has found primetime success healing (and antagonizing) patients as the curmudgeonly-but-brilliant lead on the hit series House.
Now, he's stepping behind the camera to make his debut as a director on the series in the episode airing Monday night. Parade.com's Jeanne Wolf found out what it was like for Laurie to call the shots and how he got the job.
Directing as a reward for meddling. "The truth is, I've always been a bit of a backseat driver and I'm always meddling and giving instructions. And I do the same thing on the set of House. I guess it probably became so annoying for the people running the show that they finally said, 'OK, you drive. See how you like it.'"
Directing himself. "It's an unusual episode. It's actually sort of divided into five different stories and I'm only in one of them. So I had two very intense days when I was acting and also directing myself. The rest of the time I was just behind the camera so I was able to wear my own clothes instead of House's. I could actually carry a wallet, keys and a phone and have real money so I could buy a sandwich."
Teddy bear power. "When you're directing, you can ask for just about anything. It's like if you say, 'I'd love to have a teddy bear in this scene,' someone's got to go out to a half a dozen toy stores, buy teddy bears, audition the teddy bears and then I've got to pick a teddy bear. I find it fascinating to have that power. But, actually, there are no teddy bears in the episode I directed."
Skipping self-diagnosis. "We deal with a lot of diseases, and when you learn about them you sometimes go, 'It probably isn't that but I've got this pain.' Then I'd think, 'Could it be that? It could be but it probably isn't.' It's just a fact that only one in one thousand times do you have a disease that you fear. I look at the odds and I know that, statistically, some of the terrible afflictions we've dealt with are literally going to strike one in a million. So I don't lose too much sleep over whether I've got one of them."
Coming to terms with portraying a difficult man. "I know a lot of people think he's often a jerk. I don't know why I portray that so convincingly. I suppose there's a big jerk inside me. There must be. That's the only explanation. Although, I must say, most people think I'm a pretty nice guy. Anyway, there are all sorts of aspects of House that I feel very sympathetic toward. He's a complicated man so I can't just dismiss him as jerk." Coping with a common problem. "Embarrassment is a big factor in my life and not just about myself. It's like when I watch a little bit of American Idol; it is agony to see someone sweat and do badly. I wish I could sort of reach into the television and somehow save them. I'm very sympathetic because it's a frightening and uncomfortable thing. It's how you feel when you fluff your lines or do something that makes you look like an idiot. But the terrible experiences I've had as an actor came not from being nervous, but being insufficiently nervous, not worrying enough about my performance."
Spending more time on the set than at home. "I wouldn't say that doing the series has made my marriage easier. Better? I don't know about that either. Doing weekly TV is like joining the Navy and going on the other side of the world for ten months of the year. But the truth is that whatever challenging situation you're in, somebody somewhere has got a much more extreme version. So I think one ought to shut up and not moan about it."
How he'd like to end the series. "We don't talk about when we'll pack it in. But when the time comes, I think it would be good to have sort of a clean finish rather than just sort trailing off. I'd like to go out with a bang, not a whimper. In the meantime, House is a character I still am fascinated by. I think that's part of an actor's job, to love the character you play. I would be foolish not to go the distance playing him, how ever far that may be. House is tough on patients and tough on his co-workers, but he's pursuing something that I think is rather noble. He is pursuing the truth -- scientific truth and emotional truth."
Source: Parade
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Five Fun Facts About 'House' Star Hugh Laurie April 9, 2010 | Celebrity Highlights
How much do you know about your favorite mean, old doctor? Here are five fun facts about "House" star Hugh Laurie:
1. Laurie's father was the real doctor in the house.
2. Laurie's American accent was so convincing at his audition, the producers didn't know he was British.
3. The actor beat out the likes of Dennis Leary, Rob Morrow and Patrick Dempsey (who went on to play a McDreamier doctor in "Grey's Anatomy") for the role of Dr. Gregory House.
4. Like his musically inclined alter ego, Laurie plays guitar piano, drums, harmonica and the sax!
5. The sneakers you see Dr. House wear every week? Laurie's idea. The wardrobe department keeps 37 pairs of Nikes on hand.
FOX's "House" returns with all new episodes Monday.
Source: Extra
Danacarine Admin
Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Dim 11 Avr - 14:17
Hugh dans le prochain TV Magazine, semaine du 17 au 23 avril 2010 ! Attention Spoilers
Danacarine Admin
Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Dim 11 Avr - 14:20
Hugh aurait signé pour un album
BRITISH actor Hugh Laurie has landed a megabucks recording deal with Warner to make an album.
The 50-year-old star of hit US medical drama House – who also featured in Blackadder and Jeeves And Wooster with sidekick Stephen Fry, 52 – is a talented multi-instrumentalist.
Source: DailyStar
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Sujet: Re: Hugh à la TV et dans la presse Lun 12 Avr - 8:25
Tormented Doctor Turns to Directing
By BILL CARTER Published: April 11, 2010
Robert Yager for The New York Times
LOS ANGELES — When Hugh Laurie gets an hour off from shooting scenes on his hit Fox drama “House,” he generally stretches out on a couch in his comfortable trailer, though not because he needs a quick nap to recover from playing one of television’s most complicated lead characters.
No, Mr. Laurie is taking a break from an even more arduous task: talking American.
“You are messing up my afternoon,” Mr. Laurie said pleasantly in his distinguished Oxford English accent. (Distinguished because he was born in Oxford and educated at Eton and Cambridge.)
After this interview interlude in his native tongue, he said he would have to return to the set and relocate his American accent, one he has delivered so convincingly in his six years as the tormented-genius diagnostician in New Jersey that many of the show’s fans are still shocked when he turns up on a talk show and describes his acting “proh-cess” instead of “prah-cess.” (When Bryan Singer, who directed the pilot, first looked at Mr. Laurie’s audition tape he was impressed at how this obscure American actor had latched onto the character.)
On the set Mr. Laurie sticks persistently to American dialect even off camera because, he said: “I find it hard to go back and forth. I need for my own sake not to draw attention to it. I don’t want the crew saying, ‘Oh, he said that in a British way.’ That would distract me as well.”
And yet for an entire episode, the one that will be broadcast on Monday night on Fox, Mr. Laurie was compelled to do a lot of talking to the crew in his own voice. For the first time he stepped into the role of on-set boss: the director.
“It was somebody else’s idea,” Mr. Laurie said, acknowledging that he was nervous about taking on the assignment. “As soon as an actor starts directing, it looks like some kind of vanity project, doesn’t it?”
Katie Jacobs, an executive producer of “House,” said in an e-mail message, “The truth is I’ve been asking him to direct for years.” She added: “I think I just finally wore him down. I have yet to find something Hugh can not do expertly, so I knew he would deliver a great episode. But mostly I thought it would be great for morale, to have our leader direct.” She continued, “I’m thrilled he did it.”
Mr. Laurie approached the job with enthusiasm. “I had made enough of a nuisance of myself,” raising questions about staging and other details, he said. “I have been absolutely fascinated by the process of it. It requires the rarest and most demanding set of skills, from problem solving to engineering, and common sense.”
It also appealed to him, he said, because of a couple of recurring fantasies. In one, right out of the movie “Airplane,” the pilots get sick on seafood, and the flight attendant comes through the cabin looking for someone who will step in.
“I’m not saying I would push people out of the way, if there were anyone else more qualified,” he said. “But if no one else wanted to, I would love to try that.”
And then: “There are times I wonder if I went on in the World Cup with the English soccer team, how long could I last on the field before the crowd realized that I was not the real thing? Would it be one touch of the ball? Two touches? Would it be 10 seconds? Could I make it for a minute?”
Mr. Laurie said he did not expressly select this episode to direct, though it worked out well for a quasi novice. (He has directed a couple of times for British television.) “I knew it would be fairly contained; they weren’t going to trust me with some enormous action sequences,” he said. Instead he led an episode about the hospital in lockdown because of a missing baby. He called it “a slightly expanded version of a stuck-in-an-elevator story.”
Dr. House is locked in with a man facing death within 24 hours. The patient, played by David Strathairn, is “sort of a phantom of House further down the road,” Mr. Laurie said. “He is approaching death and is sort of looking back on his life with the kinds of longing and regrets that House suddenly sees he might have.”
Mr. Laurie said that he greatly appreciated having a veteran actor like Mr. Strathairn to work with. “He was completely entitled to be apprehensive in the hands of someone so untested,” he said, “but he was extremely generous.”
Beyond the interaction with his fellow cast members, Mr. Laurie said that what he liked most about the directing experience was “the freneticness of it,” adding: “I’m a brooder. If I have too much time to think, I start to complicate things in ways they don’t need to be complicated.”
Gregory House remains a highly complicated man, of course, though in Mr. Laurie’s hands he has taken numerous character turns, highlighted by the spell in a mental institution that started this season. “It’s hard, but he’s sort of reaching for something,” he said. “He acknowledges a loneliness. However much he may be resigned to it, it existentially pains him nonetheless. And he has to acknowledge that there is comfort in friendship, and love and human contact.”
Mr. Laurie, who in British television mainly worked in comedy (“The Black Adder,” “Jeeves & Wooster”), has also found the humor in “House”: “The show is extremely funny in different ways. It’s broadly farcical sometimes. It’s clownish at times. It’s sophisticatedly verbal at times.
“I still love the character,” Mr. Laurie said. He isn’t alone; besides the show’s success on American television, it is a worldwide phenomenon.
“It really puzzles me that we do so well overseas,” he said. “It is such a verbal show. Yet it is translated into Portuguese, Italian, Russian, and it still survives. It’s the No. 1 drama in Italy. The French are mad for it. I find that baffling.”
Maybe not as baffling when put in the context of the character’s progenitor: a consulting detective from Victorian England who is, as Mr. Laurie put it, “arguably the most famous literary franchise ever.” Having been a Sherlock Holmes aficionado from an early age, Mr. Laurie said he has always enjoyed the many associations House shares with Holmes.
“God, how flattering it is to be compared to that character,” Mr. Laurie said.
The “House” season having finished filming, Mr. Laurie is relocating to territory not far from his fictional home at Princeton-Plainsboro Teaching Hospital, starring in an independent film called “The Oranges.”
The role will certainly be a departure. “He is a soft-spoken, gentle soul — a lost soul who finds something that turns his life upside down,” Mr. Laurie said, adding only that “it revolves around a romantic relationship that disturbs all parties involved.”
And yes, he’s another American. More work on that accent.
“There are certain things I recite on my way into work. I’ll listen to NPR, and I’ll just pick a phrase, and I’ll go over and over it,” he said. It never sounds perfect to him, but Mr. Laurie seems to be getting away with it.
“I think Americans are a bit more tolerant of different sounds,” he said.
Source: New York Times
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Sujet: Re: Hugh à la TV et dans la presse Jeu 15 Avr - 14:57
Meat Loaf parle de Hugh:
Hugh Laurie features on one of the tracks on your new album. What was it like working with him?
It was great. Hugh Laurie’s a real guy. He plays the same game I do: we’re here to work so let’s do it. I don’t play the star game and Hugh doesn’t either. A perfect example of Hugh is when he was in a car going to the Golden Globes and the car was stuck. He said to heck with this and walked like three blocks to get to the Golden Globes.
Hugh Laurie just trudging down the street! When he got there, security stopped him and said, “Excuse me sir, where do you think you’re going?” He’d left his invitation in the car by mistake and it took some journalist or photographer to say to the security guy, “That’s Hugh Laurie, he’s nominated for a Golden Globe”. The security guy said, “Well, I don’t know that”. He got in eventually. But Hugh’s like that.
Source: Sport.co.uk
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Sujet: Re: Hugh à la TV et dans la presse Jeu 22 Avr - 7:55
MEAT LOAF IMPRESSED WITH LAURIE'S MEMORY SKILLS Movie & Entertainment News provided by World Entertainment News Network (www.wenn.com) 2010-04-21 20:36:25 -
Rocker MEAT LOAF was stunned to learn HUGH LAURIE has a photographic memory - and learns his lines for HOUSE in seconds. The Bat Out of Hell star invited British funnyman Laurie to record piano parts for If I Can't Have You, a track on his upcoming album, Hang Cool Teddy Bear. But he was shocked when he offered his guest star some sheet music to help with the song - because Laurie didn't need it. The rocker says, "He came in and he played brilliantly. And the amazing thing about Hugh Laurie is he has a photographic memory. The song is about eight minutes long and when he came in I said, 'Do you need sheet music?' and he said no. 'Are you kidding?'. 'No'. And that's how I found out how he can do all that dialogue on House."
Source: pr-inside.com
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Sujet: Re: Hugh à la TV et dans la presse Jeu 22 Avr - 13:27
Exclu! Hugh Laurie: «House me scandalise» Le comédien accorde un entretien exclusif à TV Magazine
Le 22/04/2010 à 12:00 par Julia Baudin
C'est un samedi après-midi. Très exactement à l'heure du thé. Hugh Laurie, alias Gregory House, nous accorde une interview presque inespérée. Courtois, élégant, délicat, l'acteur britannique évoque Dr House, le film qu'il tourne actuellement près de New York, son avenir, ses affections...
Hugh Laurie, l'année dernière, vous exprimiez votre plaisir à travailler aux États-Unis, mais aussi vos difficultés à vivre loin de l'Angleterre... Après six années passées sur le plateau de Dr House, il ne s'agit plus tout à fait d'une vie nouvelle. L'Angleterre me manque, mais c'est un peu comme si la boucle était bouclée. Nous avons tourné six saisons. La septième débute mi-juin. Sans doute y aura-t-il une saison 8... Et, comme je suis de nature inquiète, bien qu'incapable de faire des plans, je commence déjà à me demander dans quelle partie du monde mon métier me mènera ensuite. Pas sûr qu'il me ramène vers l'Angleterre...
Seriez-vous prêt à rester à Los Angeles ? Je ne vois pas Los Angeles comme un lieu de vie, mais comme un lieu de passage. C'est une ville étrange, instable, anarchique sous ses airs proprets, bien léchés, et précaire à bien des égards, même pour les nantis comme moi.
C'est néanmoins the place to be quand on est acteur... Définitivement, oui ! Même si je suis actuellement dans le New Jersey, où je tourne un film... Il y a ici toute une communauté d'acteurs et de producteurs de télévision, de cinéma et de théâtre, très différents de ceux que l'on croise à Los Angeles.
Que tournez-vous ? Cela va s'appeler The Oranges, une comédie mélodramatique construite sur l'histoire de deux familles installées dans un quartier bourgeois et paisible de la proche banlieue de New York. Le père de la famille A, moi, tombe amoureux de la fille de la famille B, Leighton Meester (Blair Waldorf dans Gossip Girl). Évidemment, c'est une catastrophe...
On vous voit peu au cinéma... Vous devez pourtant crouler sous les propositions ? Ce n'est pas tant de jouer dans beaucoup de films qui m'intéresse, mais plutôt la qualité du scénario. Le script de The Oranges est le meilleur que j'ai lu depuis des années. De même, les scripts de House sont, à mon sens, les plus remarquablement écrits de toutes les séries du moment. Alors, western, mélodrame ou science-fiction, peu importe...
Dr House, justement. Êtes-vous toujours enthousiaste ou totalement déprimé par le caractère tourmenté de votre personnage ? Je serai toujours très attaché à Gregory House. Il m'intrigue, me séduit, m'amuse, m'attriste, me scandalise ! Je continue de penser que j'ai une chance folle de jouer dans cette série.
TF1 diffuse actuellement la saison 5, dont certains épisodes apparaissent encore plus excessifs que d'habitude... Qu'en pensez-vous ? Simplement, les auteurs ont un peu plus joué sur les deux tableaux, avec, d'un côté, des épisodes assez soft, construits sur des intrigues médicales « normales » ; et, de l'autre, des histoires plus ramifiées quant aux relations entre les personnages et leur mise en scène. David Shore, le créateur, possède un grand sens du « jusqu'où on peut aller » dans l'improvisation et à quel moment il faut revenir vers plus de sobriété. C'est comme une mélodie et je trouve ça intelligent. Sans oublier le comportement de House, qui va en se dégradant tout au long de la saison...
... Jusqu'à le mener à son internement. Absolument ! Au terme d'une longue lutte dans l'espoir de trouver une issue, mais ce n'est pas si simple...
N'aurait-il pas pu la trouver auprès de Lisa Cuddy, la directrice de l'hôpital, visiblement éprise de lui ? Les drames sont élaborés pour mettre en scène les blessures de l'âme. Si vous soignez ces blessures, il n'y a plus de drame. Donc, plus de Dr House.
Vous avez réalisé un épisode de la saison 6. Une envie subite ? Ce sont les producteurs qui me l'ont proposé. Sans doute en avaient-ils assez de me voir fourrer mon nez partout et de m'entendre tout commenter. (Rires.) C'est plus fort que moi...
Est-ce votre première expérience derrière la caméra ? J'avais réalisé deux ou trois choses en Angleterre, mais jamais aux États-Unis. Vous devez être capable de gérer la technique, de diriger des acteurs - personnes que je connais toutes parfaitement, ce qui tend à rendre les choses plus difficiles (Rires.) -, de raconter l'histoire et de jouer dedans ! C'était très dur, d'autant qu'à la différence des réalisateurs habituels je n'ai pas eu le temps d'approfondir mon travail. Mais c'était aussi passionnant.
Êtes-vous content du résultat ? Cela aurait pu être beaucoup mieux...
Vous dites cela parce que vous êtes un Anglais bien élevé... Je dis cela parce que je suis honnête. (Rires.)
Trouvez-vous encore le temps de jouer de la musique, de finir votre livre ou de vous promener à moto ? Pas beaucoup, malheureusement... Ou plutôt si. Je viens de participer à l'enregistrement d'une chanson de Meat Loaf. Nous avons joué dans une salle où Sinatra, Nat King Cole et Dean Martin s'étaient produits. C'était incroyable ! Et la moto, heureusement, reste mon principal moyen de transport. J'en louerais d'ailleurs bien une cet après-midi, histoire de faire un tour dans les collines du New Jersey : elles me rappellent l'Angleterre, et on annonce de la pluie...
Propos recueillis par Julia Baudin
Source: TV Mag
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Sujet: Re: Hugh à la TV et dans la presse Ven 23 Avr - 7:44
HOUSE DIRECTOR JUAN JOSE CAMPANELLA TALKS ABOUT HUGH
HC: You’ve directed five episodes of the popular TV show ‘House.’ What can you tell us about Hugh Laurie that the rest of the world doesn’t know?
JJC: I don’t think anything, I see him as the rest of the world does, as a nice polite Londoner. [laughs] He’s great to work with as well. It’s like the cast of Law & Order, SVU, who have been doing it for 11 years. They never get tired of it, they are never there just to punch the clock. They always try to keep it fresh and get the most out of the scripts.
In the case of Hugh, he has to learn new skills for each show, because House is an expert on everything. [laughs] Of course , Hugh isn’t. If there is a scene in which he is shown cooking, he goes out and prepares for weeks. He is really a hard working actor.
Source: Hollywood Chicago
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Sujet: Re: Hugh à la TV et dans la presse Jeu 13 Mai - 8:36
Colbert & House: The Funniest Relationship On TV?
JAKE COYLE | 05/12/10 02:33 PM | AP
NEW YORK — The funniest relationship on TV might be the clandestine, cross-network affair between "The Colbert Report" and "House."
If you look carefully, you can spot a small, framed photograph of Hugh Laurie, the star of Fox's "House," on the set of Comedy Central's "The Colbert Report." "House" has reciprocated the gesture with a photo of Colbert that sits on Dr. Gregory House's desk.
On Monday's "Report," Stephen Colbert said House's photo sits on his shelf because he's a huge fan of the TV doctor.
"House and I have a lot in common," Colbert, in mock pundit character, said on the show. "We both refuse to play by the rules, never consider the consequences of our actions, and are horribly abusive to our staffs.
"In the end, we're both always right."
The shelf behind Colbert's C-shaped desk contains a collection of odd objects that he has found reason to keep by some twist of the show's bizarre comedic meanderings. The House photo currently rests, Colbert noted, "in a place of honor next to my coin purse made from a bull scrotum."
Colbert first placed the photo on his set in June 2006 after Colbert (the real one) received an honorary degree from Knox College. This made him a doctor, Colbert claimed, and next to his degree, he placed photos of three other TV doctors: House, Noah Drake from "General Hospital," and Dr. Cliff Huxtable from "The Cosby Show."
The House photo (now more visible because "The Report" broadcasts in high-definition) has stuck around, Colbert said in a recent interview, because the show noticed it would frequently show up on camera over his shoulder.
"We said we've got to keep that – we can't get rid of the picture of House," he said. Story continues below
When he saw that "House" responded in kind, Colbert said he was "honored because I'm such a fan."
In an e-mail Wednesday, Laurie said he was "hugely flattered by Mr. Colbert's tip of the hat."
"People sometimes ask whether I have anything in common with the character I play, and I answer as truthfully as I can: House and I are the same height and we both have a worshipful obsession with Stephen Colbert," said Laurie. "That's it. And even the height part isn't quite right. I am actually one inch taller than House. But it seemed to us completely and satisfyingly consistent for House to curl up in front of Colbert after a hard day's healing."
The connection between the two fictional characters is fitting because it mirrors a real-life link. Both are comedians with a fondness for wordplay and an extraordinary talent for embodying a character.
American audiences are less familiar with Laurie's earlier sketch comedy work on British television, including the beloved, acclaimed series "Blackadder" and "A Bit of Fry and Laurie," and his portrayal of P.G. Wodehouse's empty-headed Bertie Wooster in the PBS series "Jeeves and Wooster." Colbert says he's particularly a fan of "A Bit of Fry and Laurie," which co-starred Stephen Fry (also Laurie's co-star in "Jeeves").
"I love it when people say, `Oh, I saw Hugh Laurie on "SNL." He was funny!'" said Colbert. "Yes, there was something he did before `House.'"
But that's background that Colbert – or Laurie – would never even wink at on TV. No, instead Colbert continues to play up his character's love of "House."
"I spend a lot of time praising the larger-than-life figures who shape our nation, be they President Bush, Vice President Cheney or House," Colbert said on a 2006 show. "When will that hospital learn just to trust his instincts? They already give him the hopeless cases."
___
Fox is a unit of News Corp.
Source: The Huffington Post
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Sujet: Re: Hugh à la TV et dans la presse Jeu 13 Mai - 14:58
Thursday, May 13, 2010, 7:19am CDT | Modified: Thursday, May 13, 2010, 7:49am A serendipitous meeting turns to jamming at the saloon Austin Business Journal - by Sandra Zaragoza Staff Writer
Austin musicians Kevin Higgins and Barbara Malteze had an impromptu jam session with Hugh Laurie of television’s “House” this week at the Luckenbach Saloon.
The husband and wife musical team, founding members of the Texas band The Dust Devils, were hosting a sing-songwriters circle at the saloon about 80 miles west of Austin on Monday, when Laurie and a film crew stopped in to join the festivities. It turns out, the actor Laurie, a jazz and blues musician, is filming a music documentary.
Laurie mentioned he was visiting locations across the country and just happened upon Luckenbach and the music circle, which is open to the public. Laurie and his crew filmed the circle, but did not say when the documentary will be completed or if it will be aired.
“After Luckenbach, he was headed to Beaumont and then to New Orleans,” Higgins said.
Over the years, Higgins and Malteze have been asked to periodically host the singer-songwriter circle at Luckenbach Saloon. They are booked to host the Monday night gig through May.
“A lot of people come to Luckenbach. There is a variety of people that come through there from all over the world, ” Higgins said, saying part of that popularity is linked to Waylon Jennings and Willie Nelson’s song “Luckenbach, Texas”
Higgins, who didn’t recognize Laurie off the bat, said one of the crew members revealed his identity with one word: House. The award-winning actor is known for his portrayal of the surly Dr. Gregory House on the Fox television program.
Of meeting the actor, Higgins said: “It’s kind of weird when it happens, but it makes you smile.”
Higgins said Laurie hung back most of the session, allowing others to take the limelight.
The singer-songwriter circle welcomes musicians at all levels, Higgins said, and are a good way for musicians to get feedback on their original music. Higgins has been nominated for song of the year and songwriter of the year for his latest album “Find Your Shine” by The Academy of Texas Music, which is the official sanctioning organization of the Texas Music Awards.
Source: Austin Business Journal
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Sujet: Re: Hugh à la TV et dans la presse Jeu 13 Mai - 17:10
Hugh Laurie and 'House' enjoy the fishbowl
With the British actor as anchor, the Fox medical drama makes its sixth season its best.
By Mary McNamara, Los Angeles Times Television Critic May 17, 2010
When "House" debuted on Fox in the fall of 2004, coverage quickly evolved into two basic story lines: Sherlock Holmes and Hugh Laurie. That the character of medical detective/misanthrope Gregory House was based on the world's most famous detective was an instant source of rousing geek-joy among those who write about television because, among other things, it allowed us to establish some smarty-pants literary credibility. The same was true with Laurie, who, at the time, was known in the States mostly for playing Bertie Wooster to Stephen Fry's Jeeves in the British series "Jeeves and Wooster." Along with the opportunity to wax poetic about Wodehouse, Laurie also offered the rare chance to reference British sketch comedy — "A Little Bit of Fry and Laurie" and "Black Adder" — which brought an added cool quotient.
He was also, from the moment the series debuted to the near final moments of this season's finale (the actual final moments were embargoed), consistently brilliant.
After six seasons playing one of the most relentlessly complex characters on television, there's nothing cultish about Laurie now. What's left, then, is the real story: that for six years Laurie has anchored a show that has consistently among the top dramas on American TV, is one of the most popular shows in the world and has just had what is possibly its best season.
Season 6 is often when many dramas start winding down, and indeed, "House" slipped to No. 19 in Season 5, which may be why it came out swinging last fall. From the two-hour premiere to Monday night's moving finale, this has been a stellar year . Problems of earlier seasons, which resulted in essentially two supporting casts, have been smoothed out, interpersonal story lines among the characters all make sense, and the sometimes under-used pillars of the show — Lisa Edelstein and Robert Sean Leonard — each got episodes in which their characters, Lisa Cuddy and James Wilson, sang lead.
And in the middle of it all is Laurie, the Pau Gasol of television, keeping the show centered and vital with hard play, a lot of rebounds and an almost savant-like ability to focus on the next move.
Yet to hear him tell it, he is the world's most passive creature who simply takes the pages that are handed him by "House's" team of brilliant writers and attempts to do them justice.
This is, of course, nowhere as easy as it sounds. It is also a very specific creative decision.
"I'm like a goldfish," he says, speaking via cellphone from New York, "although goldfish are enigmatic creatures, so there's really no way of knowing what they're actually thinking, of course…. But," he says, collecting himself from the fishbowl, "I'm about the execution — what is the best way to make this scene as funny, touching, disturbing as it can be. Because I think the actual 'what' that happens is less important than the 'how.' "
He is speaking from the set of "The Oranges," in which he plays a romantic-ish lead opposite Leighton Meester. It's his first feature film since taking on "House." "My people, who actually is one person, is there to look out for the long term and said, 'it's time to spread your wings' so I started reading scripts and this was the best one I read."
Not that any, he hastens to add, were as good as a single episode of "House." "And you can quote me on that." Since the beginning of the show, he has steadfastly handed most of the credit for "House's" success to creator David Shore, executive producer Katie Jacobs and their team.
Any attempts to discuss the evolution of the show or his character leads him inevitably back to Shore and Jacobs and their ability to think big while leaving plenty of room for small.
"' Ideas are 10 a penny. It's the execution that's the hard thing to do. House is standing up against a tide of sentiment and emotionalism over reason that threatens to engulf this world. When you think about it, a rationalist, a man of science and reason, is in a pretty lonely position."
So unlike other stars of successful shows, Laurie says he doesn't exercise his executive producer credit very often, doesn't pull Shore or Jacobs aside with thoughts about the direction of House's sobriety or his love life.
"I think when people do that, it has something to do with an underlying dissatisfaction — 'I want my character to be more this or that, I want him to be cooler.' I haven't felt the need to heckle the driver. Take it as a sign of my passivity or my contentment. Or my being a goldfish. I plead the goldfish."
Which is one reason it took him six seasons to direct an episode — this year's "Lockdown."
"I didn't do it because it would be taken as 'oh, the star is throwing his weight around,' or 'oh, he's bored with only being the lead,' which wasn't the case at all."
For years, he was, quite frankly, too exhausted to consider directing or script tweaking or anything much other than playing House. Until this season, Laurie was in almost every scene of every episode. "House," unlike its cable brethren, typically has 24 episodes, so that's a lot of scenes. And if Ginger Rogers did what Fred Astaire did backward and in heels, Laurie does what other stars do in an accent that is not his own and with the character's bum leg. Constant pain is a central part of House, which requires a lot of energy to play (and also probably makes Laurie legally ineligible for Botox or facial cosmetic surgery of any kind.)
"I was drained from the work," he says. "A star of another series that I will not name told me once that after a 12- or 14-hour day, he would drive home at 100 miles an hour and figure 'well, I'll either get home very fast or I'll crash, and either one is fine,' and I understood completely."
"House" has always been remarkable in its willingness, indeed its determination, to perpetually reinvent itself. At the end of Season 3, House's original team members were fired or quit, and Season 4, which was interrupted by the writers strike, was essentially a contest to replace them, and Season 5 managed, at times almost unbelievably, to juggle things like a few too many cast members, death, divorce and ghostly hallucinations that tip-toed around but never crossed into the sort of eye-rolling, fan site-rattling, Denny/Izzie territory that almost took out "Grey's Anatomy."
As tantalizing as a modern-day medical Sherlock Holmes with his "everybody lies" worldview might be, it was Laurie's performance that drew viewers to "House," and what made "House" the blueprint for shows like "The Mentalist" and even "Nurse Jackie." Shows Laurie, by the way, says he has never seen.
"I never watched 'Nurse Jackie' because when it began Edie Falco said she never watched 'House' and she said it rather snottily, I thought, so I didn't watch her show either."
Laurie's laughing when he says this, but that doesn't mean he isn't serious. Even after six years, he is still "House's" biggest fan, fiercely protective of its cast and creators, and delighted to hear that someone thinks this was the best season yet.
"It is very gratifying and reassuring," he says. "Because a show can change as it ages and the other thing that changes is the audience. Their attention wanders to the new shiny thingand that's difficult."
So although he can imagine the show ending , he doesn't want anyone to construe his return to film as a sign that he's tiring of Princeton-Plainsboro. "I think television is where great drama is happening right now. And so film is left to what? To put things in 3-D, which TV can't do. There are a lot of wonderful shows on right now, even if I don't watch them," he says. "But there is no other show that I'd like to be on, no show that I see and think 'oh, I wish we could do that on 'House.' "
Which is good to know, since without an actor like Laurie, there could be no show like "House."
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Sujet: Re: Hugh à la TV et dans la presse Mer 19 Mai - 14:15
The Simpsons:
From the Fox Broadcasting Company Programming Schedule/Returning Series Page(s):
Guest stars paying Springfield a visit next season include GLEE cast members Lea Michele, Cory Monteith and Amber Riley, as well as Hugh Laurie and Daniel Radcliffe, who provide voices for the terrifying annual "Treehouse of Horror XXI" episode. Additional guest voices include Facebook founder Mark Zuckerberg, baseball great Mike Scioscia, Martha Stewart and Allison Hannigan, and Joe Mantegna returns as Fat Tony.
Source: hughbunnies
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Sujet: Re: Hugh à la TV et dans la presse Sam 22 Mai - 17:47
Hugh Laurie is the constant that makes 'House' successful By Mary McNamara LOS ANGELES TIMES 05/21/2010
When "House" debuted on Fox in the fall of 2004, Hugh Laurie was known in the United States mostly for British comedy, especially as Bertie Wooster to Stephen Fry's Jeeves in the British series "Jeeves and Wooster."
After six seasons playing one of the most relentlessly complex characters on television, he's ours now.
For six years, Laurie has anchored a show that has consistently been among the top dramas on American TV, is one of the most popular shows in the world and has just had its best season.
Season 6 is often when many dramas start winding down, and indeed, "House" slipped to No. 19 in Season 5, which may be why it came out swinging last fall. Problems of earlier seasons, which resulted in essentially two supporting casts, have been smoothed out, interpersonal story lines among the characters all make sense, and the sometimes under-used pillars of the show — Lisa Edelstein and Robert Sean Leonard — each got episodes in which their characters, Lisa Cuddy and James Wilson, took the lead.
And in the middle of it all is Laurie, keeping the show centered and vital.
Yet to hear him tell it, he is the world's most passive creature who simply takes the pages that are handed him by a team of brilliant writers and attempts to do them justice.
He talks by cell phone from the set of "The Oranges," in which he plays a romantic-ish lead opposite Leighton Meester. It's his first feature film since taking on "House."
"My people, who actually is one person, is there to look out for the long term and said, 'It's time to spread your wings,' so I started reading scripts, and this was the best one I read," he says.
Not that any, he hastens to add, were as good as a single episode of "House." "And you can quote me on that." Since the beginning of the show, he has steadfastly handed most of the credit for the "House" success to creator David Shore, executive producer Katie Jacobs and their team.
So unlike other stars of successful shows, Laurie says he doesn't exercise his executive producer credit very often, doesn't pull Shore or Jacobs aside with thoughts about the direction of "House's" sobriety or his love life.
"I think when people do that, it has something to do with an underlying dissatisfaction — 'I want my character to be more this or that, I want him to be cooler.' I haven't felt the need to heckle the driver. Take it as a sign of my passivity or my contentment."
Which is one reason it took him six seasons to direct an episode — this year's "Lockdown."
The other reason, he says, was sheer exhaustion. Until this season, Laurie was in almost every scene of every episode. "House," unlike its cable brethren, typically has 24 episodes, so that's a lot of scenes.
As tantalizing as a modern-day medical Sherlock Holmes with his "everybody lies" worldview might be, it was Laurie's performance that drew viewers to "House," and what made "House" the blueprint for shows such as "The Mentalist" and even "Nurse Jackie." Shows Laurie, by the way, says he has never seen.
"I never watched 'Nurse Jackie' because when it began, Edie Falco said she never watched 'House' and she said it rather snottily, I thought, so I didn't watch her show either," he says, laughing.
Although he can imagine the show ending, he doesn't want anyone to construe his return to film as a sign that he's tiring of Princeton-Plainsboro.
"I think television is where great drama is happening right now," he says. "But there is no other show that I'd like to be on, no show that I see and think, 'Oh, I wish we could do that on 'House.'"
Which is good to know, because without an actor like Laurie, there could be no show like "House."
Danacarine Admin
Messages : 5571 Date d'inscription : 06/04/2009 Age : 51 Localisation : Dans le cosmos XD
Sujet: Re: Hugh à la TV et dans la presse Jeu 3 Juin - 13:51
Laurie: 'House was undone in the finale' Thursday, June 3 2010, 12:06 BST By Catriona Wightman, TV Reporter
Hugh Laurie has claimed that his character House was "undone" in the recent season finale.
The actor told Entertainment Weekly that he was shocked when House admitted that he wishes he had decided to have his leg amputated.
"It sounds fanciful, but I was very shaken by that sudden vulnerability, the truth he reveals because there is no alternative," Laurie said. "He has to be open with this woman in order to save her. There is no more game-playing, no more trickery. He just has to tell her the truth. So you see sort of a naked House there in a way that is very startling."
He added: "It was, for all of us, a very harrowing few days when we shot those scenes, including the one in the ambulance. Very powerful stuff."
Laurie also suggested that House has changed following the death of his patient.
"[House was] suddenly rendered powerless," he said. "He suddenly [became], as we all are, that tiny little speck of dust floating in the cosmos, and he [realised] his smallness, insignificance, his inability to heal and save a life.
"He [was] undone at that moment, because he is someone who clings so fiercely to his own abilities that when those abilities just aren't enough, he becomes nothing - or at least has to confront the possibility that he is nothing, as we all are in the grand scheme of things."
Laurie recently said that he is "open" to working on the show past the upcoming seventh season.